新托福阅读模拟试题及答案 托福阅读题库

提起新托福阅读模拟试题及答案 托福阅读题库大家在熟悉不过了，被越来越多的人所熟知，那你知道新托福阅读模拟试题及答案 托福阅读题库吗？快来和小编一起去了解一下吧！

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同学们备考的时候一定要多做试题，通过做题才能够反映出大家的不足之处才哪里，有针对性的备考才能够进步得更快。下面就一起来看看新托福阅读模拟试题及答案。

新托福阅读模拟试题及答案

The medieval artists didn’t know about perspective; they didn’t want to make their people look like real, individual people in a real, individual scene. They wanted to show the truth, the eternal quality of their religious stories. So these artists didn’t need to know about perspective.

In the European Renaissance period, artists wanted to show the importance of the individual person and his or her possessions and surroundings. A flat medieval style couldn’t show this level of reality and the artists needed a new technique. It was the Italian artist Brunelleschi who discovered the technique of perspective drawing. At first the artists of the Renaissance only had single-point perspective. Later they realized that they could have two-pointed perspective and still later multi-point perspective.

With two-point perspective they could turn an object (like a building) at an angle to the picture and draw two sides of it. The technique of perspective which seems so natural to us now is an invented technique, a part of the “grammar of painting”. Like all bits of grammar there are exceptions about perspective. For example, only vertical and horizontal surfaces seem to meet on eye level. Sloping roof tops don’t meet on eye level.

For 500 years, artists in Europe made use of perspective drawing in their pictures. Nevertheless, there are a range of priorities that artists in displaying individual styles. Crivelli wanted to show depth in his picture and he used a simple single-point perspective. Cezanne always talked about space and volume. Van Gogh, like some of the other painters of the Impressionist period, was interested in Japanese prints. And Japanese artists until this century were always very strong designers of “flat” pictures. Picasso certainly made pictures which have volume and depth. However, he wanted to keep our eyes on the surface and to remind us that his paintings are paintings and not illusions.

It is technically easy to give an illusion of depth. However, a strong two dimensional design is just as important as a feeling of depth, and perhaps more important.

新托福阅读模拟试题及答案一

1 The passage mainly discusses

(a) the difference between medieval and Renaissance art

(b) how the technique of perspective influenced the modern art

(c) the discovery of the technique of perspective

(d) the contribution of Renaissance artists

2 The word “eternal” in line 3 is closest in meaning to

(a) timeless

(b) infinite

(c) frequent

(d) constant

3 According to the passage, which is the main concern for medieval artists?

(a) the individual person and his/her possessions and surroundings

(b) real people, real scenes

(c) eternal timeless truth of the earth

(d) themes of religious stories

4 The discovery of perspective was the result of

(a) Renaissance artists’ to prove that the medieval artists could show level of reality

(b) the need to turn an object at an angle and draw more than one side of it

(c) the subject being shifted from religious stories to individual person and surroundings.

(d) natural evolution of human senses

5 The word “it” in line 12 refers to

(a) the picture

(b) perspective

(c) angle

(d) the object

新托福阅读模拟试题及答案二

6 The word “Grammar ” in line 13 is closest in meaning to

(a) construction

(b) grammatical rules

(c) rules and regulations

(d) tones and volume

7 The author’s purpose to give the example in line14-15 is to

(a) explain how perspective work in painting

(b) support two-pointed perspective

(c) illustrate that there are exceptions about perspective

(d) point out that the technique of perspective though seems so natural is an invented technique

8 The following artists’ priorities in style shift away from perspective except

(a) Crivelli

(b) Cezanne

(c) Japanese artists

(d) Brunelleschi

9 The word ”Illusion” in line 25 is closest in meaning to

(a) deception

(b) photograph

(c) decoration

(d) illustration

10 It can be inferred from the passage that Renaissance artists

(a) embraced the medieval style of eternal truth

(b) needed to develop a new approach towards painting to show a new level of reality

(c) were inspired by vertical and horizontal surfaces in inventing the technique of perspective

(d) saw two dimensional design more important than a feeling of depth

参考答案：1.b 2.a 3.d 4.c 5.d 6.c 7.c 8.d 9.a 10.b

托福阅读重点句子积累

1. Wearing masks and costumes, they often impersonated other people, animals, or supernatural beings, and mined the desired effect – success in hunt or battle, the coming rain, the revival of the Sun – as an actor might.

戴着面具身着盛装的人们，经常扮演各种其他人物、动物或超自然生灵，并且作为一个扮演者所能做的，就是期盼一个在狩猎或战役中获胜、降雨的来临，阳光的重现的结果。

2.But these factors do not account for the interesting question of how there came to be such a concentration of pregnant ichthyosaurs in a particular place very close to their time of giving birth.

但是这些事实不能解释这个令人感兴趣的问题，就是为什么在一个特殊的靠近他们出生的地方如此的集中了这么多怀孕的鱼龙。

3.A series of mechanical improvements continuing well into the nineteenth century, including the introduction of pedals to sustain tone or to soften it, the perfection of a metal frame, and steel wire of the finest quality, finally produced an instruments capable of myriad tonal effects from the most delicate harmonies to an almost orchestral fullness of sound, from a liquid, singing tone to a ship, percussive brilliance.

十九世纪一系列持续的机械进步，包括踏板的传入、金属结构的完善和钢丝最完美的质量，最后产生了一种能容纳无数音调——从最精致的和弦到一个成熟管弦的声音或从一个清澈的歌声到辉煌的敲击乐的效果——的乐器。

4.Accustomed though we are to speaking of the films made before 1972 as “silent”, the film has never been, in the full sense of the word, silent.

虽然我们习惯于谈到1972年以前的电影是无声的，但用一句完全感性的话来说，电影从来就不是没有声音的。

5.For a number of years the selection of music for each film program rested entirely in the hands of the conductor or leader of the orchestra, and very often the principal qualifications for holding such a position was not skill or taste so much as the ownership of a large personal library of musical pieces.

多年以来电影音乐的选择程序完全掌握在导演和音乐督导手中，通常拥有这些权力的主要资格并非是自身的技艺和品味而更多的是因为拥有大量的个人音乐素材库。

6.Rather, they were made of a top layer of woolen or glazed worsted wool fabric, consisting of smooth, compact yarn from long wool fibers, dyed dark blue, green, or brown with a bottom layer of a coarser woolen material, either natural or a shade of yellow.

更进一步，他们是由一个顶层是毛纺或光滑的精纺羊毛织物制作，包含光滑，紧凑的纱线来自长羊毛的纤维染成兰黑色、绿色、或褐色底层含有粗糙天然的和暗黄色的毛纺材料。

7.For good measure, during the spring and summer drought, heat, hail, grasshoppers, and other frustrations might await the weary growers.

在春季和夏季，要精确量度干旱、热量、冰雹、蝗虫和其他损失可能是一件疲劳的事情。

8.What we today call America folk art was, indeed, art of, by, and for ordinary, everyday “folks” who, with increasing prosperity and leisure, created a market for art of all kinds, and especially for portraits.

我们今天所谓的美国民间艺术，实际上是普通老百姓的艺术、被普通老百姓创造的艺术和为普通老百姓和日常提到的“民间人士”的艺术，是一个他们在社会日渐繁荣和休闲情况下创建的一个包含各种各样尤其是肖像画种类的艺术的市场。

9.The people had no agriculture but, over thousands of years, had developed techniques and equipment to exploit their environment, basing their economy on fishing in streams and coastal waters that teemed with salmon, halibut, and other varieties of fish; gathering abalone, mussels, clams, and other shellfish from the rocky coastline; hunting land and sea mammals; and collecting wild plant foods.

他们没有农业，但是经过几千年，已经发展了探索自身环境的技术和设备。他们是基于大量出现鲑鱼、大比目鱼和其他多种鱼类的自身流域和水岸捕鱼的经济;基于从落基山水岸聚集了鲍鱼、蚌类、蛤和其他贝壳动物的经济;基于捕猎地域和海洋哺乳动物的经济;以及基于收集野生植物的食物的经济。

托福阅读练习需要注意什么?

1、对于词汇量的要求较为严格

从某种意义上来讲，你积累的英语词汇量的多少，影响着你在托福考试中取得的成绩。如果说你具备的托福阅读词汇量达不到最基本的要求，即使你的语言能力再强也过不了托福难关。之所以说词汇量的重要性，想必就算不加以强调，大家也都会很清楚。试想一下，如果你掌握的词汇量不够多，当看见一个完整的句子时，你觉得你可能将整个句子要表达的意思理解清楚吗?所以说，想要训练阅读能力首先就要从词汇量上下手，只有掌握足够多的词汇后，你才具备他警告阅读能力的最低标准。

2、阅读大量英语文章，增加自己的知识面

当一个人知道的东西多了后，在面临问题时，就会显得更有自信，解决问题也会有自己的路子。这样方式在阅读能力训练中也同样适用，考生利用业余时间丰富自己的知识面，对各国或各地区等相关文化及常识有一定了解后，在参加托福考试时，当阅读到自己有所了解的东西后，解题试题时就会比较有自信和感觉，不会因为自己的不了解或是不清楚，对文章要说的东西特别盲目。相信每一位考生在解答试题时，如果阅读到自己熟悉的文章后，解答试题时也会比较轻松和容易。答题的准确率自然而然的也就会有所上升。

3、注意解题要领，无需阅读全篇文章

考生在解答阅读试题时往往会存在一定的误区，认为想要解答试题必须要阅读整片文章。在这提醒各位考生们，这种理念是错误的。阅读文章的做种目的还不就是为了解答试题?只要能够准确的解答试题，不完全阅读文章页是可以的，有没有人会问你，全篇文章的详细内容，所以说，阅读时要秉着做题去阅读，而不是为了阅读而去阅读。还有一点，考生解答阅读试题时，可以先看题干，对所要提出的问题有了一定的了解后，带着问题再去阅读文章，这样做在阅读时就会有着重点，针对性强，解答也比较容易，只要找到题干的大概范围，很轻松就可以选出想要的选项了。同时，也减少了大量的阅读时间，为你的考试赢回不少时间，可以用这部分时间去解答其他较难的试题。